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Similarly, he eschewed the classic 'main gauche' with its broad triangle of protecting metal. Instead of the traditional Spanish cup hilt, Consone utilized only the rising quillon, bent upwards, to aid in his capture and control of an opponent's blade. Swept hilt rapier with flamberge blade, usually accompanied by left handed fighting dagger. This is a battle weapon of the first order when you want to get up close and personal with your opponent. In addition to being a formidable 'limb lopper,' Ceirdwyn's sword is ideally suited for devastatingly effective infighting. The thickness of the metal prevents bending and adds sufficient weight to the cutting stroke to easily sever an arm or a head. Short bladed and hefty, this gladius-shaped blade widens towards the tip before narrowing to a centered point for thrusting. Greater carbon content keeps the edge hard and sharp while the softer iron-rich core absorbs the shock of the blows. It was pattern welded by folding and hammering together layers of iron and steel alloys to form the blade. It was believed the anthropomorphic figures carved into the grip could increase the power of the blade and offer a magic charm to protect the wielder. The heavy bronze hilt is carved in the shape of a standing man with the stylized arms and legs providing minimal protection for the hand. 'Anthropoid' Celtic sword of the late iron age Perhaps MacLeod had special reasons for choosing this sword above all others to give to his young friend. Some cultures think a fine sword is the repository for the spirit of its past owner. Only a sword master of exceptional skill and personality could manoeuver such a blade with the dexterity necessary to counter the faster and lighter rapiers of his Renaissance peers.Īshe's sword was given by his student and friend, Duncan MacLeod, to his own student, Richie Ryan, after the latter's shell guard rapier was broken by Haresh Clay. He continued to favor this sturdy medieval fighting blade of the later 1400's. In a life that literally spanned centuries, Ashe had a variety of weapons and combat styles from which to select. The bottom third of the leather covered extended handle is wrapped with wire for added purchase when gripped with the second hand.īy all accounts, Graham Ashe was a man of superior accomplishment, as witnessed by the prowess of his many famous students. It is a classic 'bastard' or hand-and-a-half sword with a flattened disc pommel and protruding finial.

It has heavy steel cross guards with trefoil clover cutouts. The structure and design of this weapon reflects Rebecca's considerable knowledge of strategy and her faith in Amanda's superior potential.īroad, straight, doubled-edged blade with a smooth rhomboid cross section tapering to a centered point. Presented by her first teacher and mentor, Rebecca Horne, Amanda's sword was modelled after Rebecca's own.

Smaller and less powerful than most of her male opponents, Amanda's style of fighting relies on intelligence, quickness of movement and her ability to efficiently maneuver both body and blade in order to deflect her enemies' powerful blows and instantly counter with an attack of her own. This 'ricasso' permits grasping the sword with one hand above the cross piece for more effective infighting, allowing Amanda to enter her enemy's zone of power and negate his strength.

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The base of the blade is unsharpened for a full hand's span. The extended finial concentrates considerable force into a small area, producing punishing pommel blows capable of splintering bones and crushing skulls. A substantial carved brass pommel balances the weight of the blade for an easy flow of cutting strokes. A single ring, or half circle of metal positioned above the guard, protects the knuckles from the skidding blade of an opponent. Carved cross-guard quillons with a gentle upsweep improve the chances for catching the opposing blade. The double-edged blade is straight with a diamond grind and lenticular cross-section that narrows to a rounded point sturdy enough to penetrate armour and chain mail.